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A Living Lineage: Indigenous Artists Reimagining Abstraction Across a Century at the Frist in Nashville
The Frist Art Museum newest exhibit An Indigenous Present shines a light on 100 years of Indigenous art featuring 15 artists who pursued abstraction as a tool for liberated expression. Organized by the Institute of Contemporary Art/Boston, this exhibition will be on view in the Frist's Upper-Level Galleries through September 27, 2026.
Seth Feman - Executive Director and CEO of the Frist Art Museum - greets guests and media in Nashville. An Indigenous Present was organized by artist Jeffrey Gibson (member of the Mississippi Band of Choctaw Indians & of Cherokee descent) and independent curator Jenelle Porter. This showcase includes significant works by Teresa Baker, Raven Chacon, Kimowan Metchewais, Caroline Monnet, George Morrison, Mary Sully, Jaune Quick-to-See Smith and Kay WalkingStick - among others. We had the pleasure of attending a tour of An Indigenous Present led by cocurators Jeffrey Gibson and Jenelle Porter on June 25, 2026. Both shared their insight into the exhibition that is organized into five interconnected thematic sections that begin with a focus on the work of George Morrison and Mary Sully, two important forebears in the development of contemporary Indigenous art during the first half of the 20th century. Jeffrey and Jenelle touched upon the concept that many pieces are living relics or reflections of people and places. They explained that in some cases, items from emerging artists were presented alongside more established creators to invoke conversations in contrasts. For example, Morrison, who trained alongside abstract expressionist painters in New York in the 1950s, is known for vibrant compositions inspired by the horizon near his Lake Superior home whereas, Teresa Baker composes with yarn, paint, willow and hide on irregularly cut artificial turf to create large-scale abstractions that convey her memories of place. There was an effort to showcase designs by elders as well as younger artists who are still alive and in some cases had the opportunity to express what they wanted displayed and why. Pieces that thematically complimented each other were placed in close proximity to each other implying patterns of inspiration from one generation to the next or reflecting the influence of abstraction and surrealism. Also of interest were a number of large-scale instillations including Raven Chacon whose masterpieces are also musical compositions.
An Indigenous Present was both technical and colorful. Mary's works bookended the exhibit with a focus on people who were famous in her lifetime such as Amelia Earhart, Einstein, Mr. Ripley of believe it or not and more. Sully presented these personalities in rectangles blending native patterns with objects that related to that celebrity. Mary was our personal favorite among all the compelling works in this cultural collection. In addition to An Indigenous Present the Frist Art Museum has more thought-provoking exhibits to explore as well. First, International Surrealism from Tate: Fifty Years of Dreams focuses on the impacts and broad global reach of surrealism paired with the compelling and contemporary works of Anila Quayyum Agha. The Frist Art Museum also has a variety of exhibition-related programs and resources for educators and their students. While at the Frist check out Cafe Cheeserie who serves up bistro-inspired foods such as fresh salads, handcrafted baguette sandwiches, scratch-made soups and a kid friendly menu made with local and organic ingredients. Cafe Cheeserie also hosts live music so check out the Frist's calendar for performances and other events such as their Architecture Tours.
Our hosts and a light breakfast provided by the museum's Cafe Cheeserie. Related Links: For more information on the FRIST ART MUSEUM and the other organizations mentioned please visit the following links - Frist Art Museum | Frist Art Museum Presents Surrealism Retrospective and Agha's Immersive Light Works in Nashville | New Exhibit Makes a Great First Impression on Opening Day at the Frist Art Museum in Nashville
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